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mICHELLE D. BURK

About Michelle

Michelle earned her PhD in Literature and Creative Writing from the University of Houston and her MFA in Creative Writing from Columbia University. She published her first book, NO CRYING IN THE GARDEN in 2021. Michelle has received awards for her writing and pedagogy, and she currently resides in Northern Virginia where she works in Large Language Modelling and User Experience Design. 

POETRY

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SUN IN CAPRICORN, MOON IN VIRGO

PERMAFROST MAGAZINE

Spring 2020

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BEYOND JUST WHAT THE APPLE MEANT TO EVE

THE LOS ANGELES REVIEW OF BOOKS

November 2019

MORNING WITH CANE CORSOS

CLEAVER MAGAZINE

June 2019

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ANY POEM CAN BE A LOVE POEM IF YOU REFERENCE JULIET

CLEAVER MAGAZINE

June 2019

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CAULDRON

BAT CITY REVIEW

Spring 2019

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NEWNESS & SUGAR BABIES

BOSTON REVIEW 

April 2017

LULLABY

NARRATIVE MAGAZINE

Spring 2017

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WHEN WE SPEAK THE LANGUAGE OF ASHES

CONTRARY MAGAZINE

Winter 2016

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ACADEMIC PRESENTATIONS

Spring 2021

GRADING THE UN-GRADABLE: REIMAGINING ASSESSMENT IN CREATIVE WRITING

ASSOCIATION OF WRITERS & POETS 
2021 CONFERENCE

This panel discussion, presented virtually at the 2021 AWP Conference focused on rethinking our approaches to creative writing pedagogy. Much of the conversation addressed how we move forward as instructors post-COVID-19, and how the landscape of creative writing might shift moving forward. 

Transcript (click here)

Fall 2019

CREATIVE WRITING IN NON-TRADITIONAL SETTINGS

TEXAS ASSOCIATION OF CREATIVE WRITING TEACHERS
2019 CONFERENCE

This panel discussion focused on the relationship between creative writing pedagogy and non-traditional classroom settings. Topics addressed included: teaching within communities that have been marginalized, creating space for emotional affect within the workshop, and re-imagining how we address trauma in writing, outside of academic settings.

Summer 2019

STRATEGIES FOR ADDRESSING ISSUES WITH SYLLABI AND ACTIVITIES

UNIVERSITY OF HOUSTON
ANNUAL TEACHING FELLOWS ORIENTATION

This presentation, given to all incoming Graduate Teaching Fellows, addressed common issues and concerns in preparing for and effectively teaching undergraduate-level writing and rhetoric as well as best practices for interacting with undergraduate students.

Summer 2019

TRIGGERED: WRITING FROM WITHIN & OUTSIDE OF TRAUMA

BOLDFACE CONFERENCE FOR EMERGING WRITERS

This presentation addressed writing and workshopping trauma-related work in a manner that is sensitive while also being constructive. Through examining the work of poets such as Ocean Vuong and Patrick Rosal, this presentation considered how we can better accommodate writing as both practice and catharsis. 

 

Transcript: (click here)

 

Winter 2018

THINKING BEYOND THE CLASSROOM SPACE: USING SOCIAL MEDIA AS A LEARNING TOOL

UNIVERSITY OF HOUSTON
DECEMBER TEACHING CONFERENCE

Until recently, the notion of utilizing social media such as Instagram, Twitter, Facebook, or TikTok was considered taboo. This prescient presentation offered suggestions on incorporating social media into classroom activities in service of helping students deploy what they have learned about effective rhetoric as they move through their everyday lives.

Spring 2017

BUT IS IT REALLY FUNNY THOUGH?: PERSPECTIVES ON SATIRE AS TRANSGRESSION IN ATLANTA, 30 ROCK & THE BOONDOCKS

LOUISIANA STATE UNIVERSITY
GUMBO & ZYDECO CONFERENCE

This presentation explored the role and responsibility of satire immediately following the 2016 United States Presidential Election. Utilizing Mikhail Bakhtin’s characterizations of satire as a method of transgression or reaffirmation of the status quo, as well as Gayatri  Spivak’s work on the subaltern and representation vs. re-presentation, this discussion analyzed how modern satirical programming such as Atlanta, The Boondocks, and 30 Rock offer effective models for satire as praxis. 

Abstract: (click here)

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